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Jumat, 17 Agustus 2012

[O977.Ebook] Download PDF Intrigues (The Blending Enthroned Book 1), by Sharon Green

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Our five have become six, but will the people around them let a six be seated?

Sales Rank: #615314 in eBooks
Published on: 2011-09-09
Released on: 2011-09-09
Format: Kindle eBook

About the Author
Sharon Green is the author of more than two dozen novels, including the five books of her tremendously popular series, The Blending. She lives in Tennessee.

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15 of 15 people found the following review helpful.
Repetitive, redundant, and tends to repeat itself
By poltroon
I enjoyed the five books in the original Blending series, and so I looked forward to their continuation. And while I did keep turning the pages on this one, I found the dialog incredibly irritating.
Almost the entire story is told via conversation. And the dialog is so mannered, awkward and formal - even when it is mere agreement. For example:
"Let's also say that your violence would have mine to keep it company."
This book could've been one third its final length if she'd written "Agreed." once in a while. But instead she has one member of the Blending state an idea, then has a short paragraph for _every_ other member to make a statement agreeing with it. She does this with other conversations as well, but mercifully, those tend to have fewer people in the room.
The obsession with tea and (for the women) bathing also gets old.
All of the bad guys are pretty much the same character divided into different bodies, which can make them a bit hard to keep track of. However, it is still entertaining to watch their downfall.
The world Ms. Green has built here is really interesting, but this particular novel doesn't really do it justice. Still, it is readable, and Book Two in the Blending Enthroned series is a bit better, so it may be worth reading this one. However, my best recommendation is to stop with Book 5 of the original Blending series.

12 of 12 people found the following review helpful.
Mediocrity at its finest
By Kent
This book starts out where the last series left off, with good plot ideas but put together in a horrible fashion. The books in this series are page turners some say, and they are, but the only reason being what could be said in one book alone, is chopped into pieces and printed as seperate 'books'. You have to buy the next book in the series just to see what should have happenned in the one before.
All that aside, the characters are easily liked. Six main characters covering almost every personality type you could think of; you're bound to find one you can identify with. Too bad they all any sort of depth. The overall direction of the story is good, but it breaks down in alot of areas. For one, the author can't seem to break her ties from romance writing; everyone has to sleep with everyone else to maintain their magical 'strength'. Secondly, our main characters are infallible when it comes to their actions outside of their group; they're always right, and the 'other' protagonists or antagonists are always wrong.
Overall, I'm sure when all the books are written, and you read them all as if they were one book, it will be a good story. But if you don't mind choking down a mediocre book until that point, grab this and read it.
Thumbs up|down? Try 90 degrees sideways...

6 of 6 people found the following review helpful.
New Blending Book
By A Customer
I enjoyed this book but one thing that annoyed me was the fact that it introduced a lot of new characters, some of which seemed to have no relevance to the story. Hopefully now that Ms. Green is finished with the introductions the next book will move much faster and tie all the story lines together. One note for new readers: if you haven't read the the blending series before this do so, because you will be completly lost without it. Besides that the book got really interesting at the end, complete with a traditional cliff hanger ending. I can't wait for the next one!

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Kamis, 16 Agustus 2012

[R383.Ebook] PDF Download Attribution Theory: An Organizational Perspective (St Lucie), by Mark Martinko

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With Special Contributions from Bernard Weiner Ph.D. (UCLA) and Robert Lord Ph.D. (Univ. of Akron)
Attribution theory is concerned with peoples causal explanation for outcomes: successes and failures. The basic premise is that beliefs about outcomes are a primary determinant of expectations and, consequently, future behavior. Attribution theory articulates how this process occurs and provides a basis for understanding that translates into practical action.
Attribution Theory: An Organizational Perspective serves as a primary sourcebook of attribution theory as it relates to management and organizational behavior. The text provides an integrated explanation of the role and function of attribution theory in the organization. This important new book contains original empirical research relating attributions to leader evaluations, reactions to information technologies, management of diverse work groups, achievement, and executive succession and power. The contributors are from a variety of disciplines including management, psychology, education, educational psychology, and sociology.

Sales Rank: #3743995 in Books
Brand: Brand: CRC Press
Published on: 1995-02-28
Original language: English
Number of items: 1
Dimensions: 9.02" h x .88" w x 5.98" l, 1.77 pounds
Binding: Hardcover
382 pages

Features

Used Book in Good Condition

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Jumat, 03 Agustus 2012

[W659.Ebook] Get Free Ebook Exploring Chemistry With Electronic Structure Methods: A Guide to Using Gaussian, by James B. Foresman

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Sales Rank: #10499408 in Books
Published on: 1993-04
Number of items: 1
Dimensions: 8.75" h x 7.25" w x .75" l,
Binding: Paperback

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[A630.Ebook] Download Ebook Shakespeare Performance Studies, by W. B. Worthen

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Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique. Using contemporary performances as test cases, Worthen explores the interfaces between the origins of Shakespeare's writing as literature and as theatre, the modes of engagement with Shakespeare's plays for readers and spectators, and the function of changing performance technologies on our knowledge of Shakespeare. This book not only provides the material for performance analysis, but places important contemporary Shakespeare productions in dialogue with three influential areas of critical discourse: texts and authorship, the function of character in cognitive theatre studies, and the representation of theatre and performing in the digital humanities. This book will be vital reading for scholars and advanced students of Shakespeare and of Performance Studies.

Sales Rank: #886870 in Books
Published on: 2014-08-11
Original language: English
Number of items: 1
Dimensions: 8.98" h x .71" w x 5.98" l, .92 pounds
Binding: Hardcover
264 pages

Review
'In a dazzling survey of cutting-edge contemporary Shakespeare performances, W. B. Worthen calls for a full embrace of the often provocative 'noise' of modern Shakespearean performance, and does so with great erudition, analytical incisiveness, and sheer delight.' Douglas Lanier, University of New Hampshire

About the Author
W. B. Worthen is the author of many books on drama, performance theory, and Shakespeare, including The Idea of the Actor (1984), Modern Drama and the Rhetoric of Theater (1992), Shakespeare and the Authority of Performance (Cambridge, 1997), Shakespeare and the Force of Modern Performance (Cambridge, 2003), Print and the Poetics of Modern Drama (Cambridge, 2005) and Drama: Between Poetry and Performance (2010). He has edited and co-edited several volumes of drama and theatre scholarship, and has served as an editor of Theatre Journal and Modern Drama, guest editor of Renaissance Drama, and is the editor of The Wadsworth Anthology of Drama.

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Senin, 30 Juli 2012

[A219.Ebook] Download Ebook Bajo Sexto -- Adornos y Escalas, Vol 1: (Spanish Language Edition), Book & CD (N/A) (Spanish Edition), by Rogelio Maya

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Using tablature, this bajo sexto method focuses on the most popular scales, arpeggios and licks and demonstrates how to integrate them into your playing style. The novice as well as the more experienced player will find this one of a kind course an invaluable tool! Includes a CD that demonstrates the book content.

Dando seguimiento al primer m�todo, Acordes y Progresiones para el Bajo Sexto, �principiantes continuar�n su aprendizaje del bajo sexto! El estudiante aprender� las escalas m�s populares por medio de tablatura y emplear� dichas escalas para ejecutar los adornos m�s populares. Adem�s, aprender� arpegios que podr�n ser usados en combinaci�n con las escalas para crear adornos m�s interesantes.

Sales Rank: #1077442 in Books
Brand: Brand: Mayas Music Publishing, Inc.
Model: 62-MM301
Published on: 2010-07-01
Original language: Spanish
Number of items: 1
Dimensions: .13" h x 8.90" w x 11.95" l, .34 pounds
Binding: Paperback
4 pages

Features

Used Book in Good Condition

About the Author
Rogelio Maya has been a music instructor, vocal coach, arranger, composer and producer for over 25 years in Los Angeles, California. Rogelio Maya ha sido maestro de m�sica, instructor de canto, arreglista, compositor y productor por m�s de 25 a�os en Los �ngeles, California.

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0 of 0 people found the following review helpful.
Helpful
By Gris
Its a helpful book to have n learn it.. But would haved liked it n give it a 5 star if it was a visual DVD video instead of a Audio CD.. It would have been a lot helpful n easier to learn

0 of 0 people found the following review helpful.
This book is worth the money I paid.
By prb
This book was a big help to me because I was lost and did not know any chords.

0 of 1 people found the following review helpful.
best instructional book I have found on this subject.
By Jaiba21
This is the very best instructional book on how to make adornos on bajo sexto I have found online. I highly recommend this book for anyone wanting to learn more on this subject

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Jumat, 27 Juli 2012

[P529.Ebook] Ebook Free Thales to Dewey, by Gordon H. Clark

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Sales Rank: #652931 in Books
Published on: 1997
Binding: Paperback
564 pages

Most helpful customer reviews

9 of 10 people found the following review helpful.
Insightful and Entertaining
By Richard Min
This one volume History of Philosophy is an exceptional one, as it presents the main philosophical positions of the most influential philosophers starting from the first, Thales. If someone read through this book 3 or 4 times, he would certainly have a good grasp of what philosophy is all about. The conciseness of his writing style and his arrangement of ideas is remarkable. For anyone who wants to begin the study of philosophy should most definitely start here, as Gordon Clark does an admirable job of making the main ideas simple to the reader. Trying to read the primary sources of each philosopher presented in this book would certainly not be the best use of your time, as they normally ramble on about unimportant matters too often. Clark, on the contrary, targets the main points of each philosopher and puts them in words that are more intelligible than that of the main writers themselves.

If you are interested in philosophy, you absolutely must have this compact one volume history. During Clark's days, this book was a best seller in christian and secular institutions and was highly praised by all sorts of philosophers.

I would particularly recommend it to christian pastors who have not studied any philosophy because knowing the most influential ideas of the last 2500 years is a must for anyone who wants to have an impact today in the pulpit.

Highly recommend this masterpiece.

41 of 42 people found the following review helpful.
A Great Introduction
By thewahlmighty
I found this book while browsing through the school library and, after remembering an awesome quote which was taken from it, I decided to check it out. Now, having read the book, I would like to recommend it to anyone wanting to study the history of philosophy.
The reason why is two-fold. First of all, the author has a skill rarely equalled in explaining the ideas of the major thinkers on a level the beginning student can understand. Secondly, he shows the errors that each philosopher makes only when it matters--and he does so eloquently.
As proof of the first, consider this quote (the one that I heard once and thankfully remembered) which is excerpted from the section dealing with Heraclitus:
"From a promontory above a mighty river as it flows down a valley, the river between a frame of trees seems to stand still as in a picture. We know that it moves, but we cannot see its motion. Sensation is too feeble and clumsy to see things as they are, and hence common opinion holds that some things do not move. On the contrary, all things flow. No man can ever step twice into the same river. How could he? The second time he tried to step, new waters would have flowed down from upstream: the water would not be the same. Neither would the bed and banks be the same, for the constant erosion would have changed them too. And if the river is the water, the bed, and the banks, the river is not the same river. Strictly speaking, there is no river. When common opinion names a river, it supposes that the name applies to something that will remain there for a time at least; but the river remains there no time at all. It has changed while you pronounce its name. There is no river. Worse yet, you cannot step into the same river twice because _you_ are not there twice. You too change, and the person who stepped the first time no longer exists to step the second time. A person is also a river, a stream of consciousness, as William James called it; and the stream of consciousness never has the same contents, the same bed or banks. Persons do not exist."
Wasn't that grand? I myself have never heard a more forceful (nor a more memorable) argument for the idea of a Heraclitean flux than that. But my second statement beckons for an example of its validity as well. And so, here is the author skillfully pointing out an error in the arguments of the skeptics:
"The skeptics call propositions false, doubtful, probable, and plausible. Their basic principle, however, does not in consistency permit them to use any of these terms. A false proposition is one opposite to the truth. How then can one say that a proposition is false, unless one knows the truth? A doubtful proposition is one that might possibly be true; a probable or plausible proposition resembles or approximates the truth. But it is impossible to apply these terms without knowing the truth by which they are determined."
Now, do you see my point? This truly is a great introduction. It not only "makes the difficult attempt of bringing the student up to philosophy's level," it succeeds. Because of this, it deserves much more than the five stars I'm giving it here.

18 of 26 people found the following review helpful.
A fine historical survey of philosophy.
By John S. Ryan
In this volume, Gordon Haddon Clark (not "Maddon"; that's a typo on Amazon's part) provides a thorough survey of the history of philosophy. His overarching concern is to argue that secular philosophy cannot provide knowledge of truth and that -- as he suggests on his closing page -- it might be necessary to consider seriously the possibility of divine revelation as the sole alternative to total skepticism. This volume, while suitable as an introduction to philosophical thought, thereby also segues nicely into Clark's own philosophical theology of "Scriptural presuppositionalism."
Now, that philosophy is not without its flaws. In the first place, Clark does not, to my knowledge, ever consider the possibility that "Scripture" might consist of anything other than the Christian Bible; why the Jewish scriptures are inadequate by themselves is not addressed. (If it is argued that the "Old Testament" contains clear pointers to the "New," I shall argue in reply that it contains much clearer pointers to the Oral Law and the Talmud. For example, the written text clearly assumes that its readers have knowledge of various practices -- e.g. the wearing of tefillin, the ritually-correct method of slaughtering animals -- that are not discussed in the text itself. For another, an oral tradition of some kind would have been necessary just to guide the pronunciation of Hebrew words that would have been ambiguous without vowel points. Nothing so clear as this is offered by the standard Christian readings of "Old Testament" prophecies, which uniformly depend on wrenching passages out of context.)
In the second place, Clark's eminently defensible view that God is rational and logical would, on the face of it, seem also to provide a foundation for criticizing the text of Scripture itself. (If the Bible teaches that God is logical, and the Bible is then found to contain contradictions, do we not have a _reductio ad absurdum_ argument against Scriptural inerrancy?) In fact Clark takes it to be a foundation for criticism of _misunderstandings_ of God's axiomatically-inerrant Word, and at a broad, general level this approach is surely defensible. But why this tack cannot be likewise taken by defenders of the Torah (or the Koran) is never made sufficiently clear.
However, these issues actually tell in favor of the usefulness of the present volume. Though Clark himself would surely not have condoned its use in the defense of faiths other than Calvinist Christianity, many of his critiques of opposing philosophies and even some of his defenses of "presuppositionalism" could be profitably adopted by, e.g., Jewish theologians. His reading of philosophical history should therefore be of interest more generally than just to Calvinists.
And at any rate, it is all too seldom that a really great philosophical-theological mind tackles the entire history of philosophy in the first place. Clark certainly deserves respectful attention in this regard by rationalistically-inclined religious believers everywhere, whether their primary philosophical-theological loyalties are to Moses Maimonides or to John Calvin.

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Senin, 23 Juli 2012

[K923.Ebook] Free PDF Story of L, by Debra Hyde

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Liv called her hunger The Void. She thought she knew it - and herself. Until a night with Cassandra silenced it. And brought out something in Liv she didn't think possible: submission. One taste of that, and Liv wanted more. But Cassandra isn't an easy dominant. She expects Liv to earn her way into her good graces. And her demands aren't simple. How many hurdles will Liv need to jump before she can kneel before Cassandra? Before Cassandra chooses to claim her? Just what will it take to become Cassandra's "L"? And will the outcome be all she hopes for - and needs? Find out in a timeless tale, retold. Find out in Story of L.

Sales Rank: #85201 in Audible
Published on: 2012-07-02
Format: Unabridged
Original language: English
Running time: 445 minutes

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4 of 4 people found the following review helpful.
A nearly perfect story
By dweaver999
I was not very hopeful when Debra Hyde's The Story of L arrived for review. It was suggestive of, and blatantly compared itself to the so called classic, The Story of O. The problem is that I think that `classic' is a poorly written piece of trash, and the thought of plodding through an even more poorly written copy was daunting. Fortunately, I was pleasantly surprised by what I found. Hyde's story is infinitely better, in every way.

The book chronicles Liv's journey from free lance switch to dedicated submissive to Cassandra. Liv enjoys topping and bottoming and lives for the sensations on either side of the whip. She battles something she calls the void; a ravenous need for pain, orgasm, and hard use that threatens to swallow her whole no matter what the tops she enlists do to her. Cassandra is a grand doyen of the lesbian BDSM set. She comes upon Liv and her tops at the club and is told that Liv seeks oblivion. In the process of giving that sweet oblivion, the void collapses in on itself, never to rear its head again.

From there, the two seem to realize that they need to be together; not as top and bottom, but as dominant and submissive, Mistress and slave. Cassandra puts Liv through a series of tests to see if Liv has what it takes to be Cassandra's slave. Yet, we can't help but think, as we read, that Cassandra is being tested as much as Liv is in some way we can't put our finger on.

The story is as close to perfect as I can imagine. It's clear from the outset that we're not dealing with a fantasy version of D/s slavery; but one that feels, and could very well be, real. There's desire, struggle, triumph, despair, need, and...love. There's a line towards the end that epitomizes the difference between Debra's masterpiece and the classic piece of trash. "Because without personage, submission is nothing more than obliteration." Ms. Hyde never once tries to convince us that true submission must eliminate the desires and wants of the submissive. Liv never stops being a full fledged person; in fact, Cassandra is never shown as wanting a mindless slave. This is what D/s is truly about.

The technical aspects of the story are spot on. No glaring errors lurk to distract you from the flow of the story. Debra has a master's hand with the English language that lets the reader experience the story rather than just read it. The erotic scenes are vivid and hot. Ms. Hyde has an intuitive grasp for what needs to be elaborated on and what needs to be left to the reader's imagination. Even if lesbian D/s isn't your first choice of genre, I think you'll enjoy this wonderful story.

I give this wonderful story 5 stars.

4 of 4 people found the following review helpful.
An gorgeous story with real emotional (and erotic) depth
By Sally Bend
Story of L is, as you might expect, a lesbian retelling of The Story of O. It's the erotic tale of Liv, a woman who is surprised to discover ultimate satisfaction through an act of submission, and Cassandra, the woman who obtains her own satisfaction through the submission of others . . . but who does not easily offer up the pleasure of her dominance.

Before you get the wrong idea, however, this is not a sex-for-the-sake-of-sex slice of erotica. This is a story with some real depth to it, one that forces us to explore our own ideas of dominance and submission, even as Liv learns about hers. It's a story of dark romance and wish-fulfillment, but definitely with a be-careful-what-you-wish-for theme.

This is a story about the intersection between fantasy and reality, and the ways in which one can accommodate the other. It's both a story of the honest demands of a true BDSM lifestyle, and the honest commitments of a lesbian relationship. You get the sense that Debra has truly done her homework, and that she has a true passion for the characters and the lifestyle. Physically and emotionally satisfying, this is definitely a story worth exploring.

0 of 1 people found the following review helpful.
Now an award winner!
By Debra Hyde
This year's lesbian erotica winner at the 24th Lambda Literary Literary Award. Asked about her win, author Debra Hyde replied, It's an honor to join the ranks of recognized authors who've earned this award over the past 24 years. It's a wonderful accolade, an unparalleled validation."

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